the scannography blog - Comments

Deniz Kurt : a serie from Turkey - blog

blog — Fri, 27 Aug 2010 20:10:01 +0200

Big brother final tonight!

Mike Golembewski : taking pictures with a scanner as a camera… - PowerShot SD1100 IS battery

PowerShot SD1100 IS battery — Tue, 22 Jun 2010 11:18:50 +0200

This is what I always thought scanners could do, but didn't know how. I tried reading notes on construction, but got lost with how to attach the two. Is a Canon

Patri Feher's new site : rich and interesting - louboutin

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Patri Feher's new site : rich and interesting - photos

photos — Thu, 25 Mar 2010 09:14:59 +0100

thank you for th pictures ! :D

Scanning outside : Thomas W McDonnell - Stephanie Sierou

Stephanie Sierou — Sun, 22 Nov 2009 13:48:01 +0100

I really like these images, great colours, they seem to record a rythm of everyday life.. There is a nice contrast in the moving objects that stand still and the solid background that 'fades.'
Have been thinking to take the scanner outside myself.. I just wondered, how did you get these images sharp from a distance? Because my scanner will only make sharp images of objects that are close by, everything further away then 1 cm becomes a blur..
Keep up the inspiring work!

Why can't we be more recognized ? - GUSTOSRAROS

GUSTOSRAROS — Sat, 10 Oct 2009 10:43:58 +0200

HELLO, I REALLY LIKE THE SITE, BUT I CAN´T FIGURE OUTHOW TO SHARE MY IMAGES AND SO JOIN IN WITH THE REST OF YOU. CAN SOMEONE HELP ME OUT? THANKS

Why can't we be more recognized ? - Ellen Hoverkamp

Ellen Hoverkamp — Sun, 20 Sep 2009 16:04:54 +0200

Oh Christian...
Please cheer up!
I'm happy to bring another side to the argument, or as my father said, "I'll take your bait..."

Regarding the topic of recognition:
I think that the odd process of scanning may be a concept that may initially capture the audience's attention but the power to last in the viewer's memory is in the image, regardless of the technique used in its creation.

I first used a flatbed scanner as photographic device in 1997, before that in the late 1980's a color laser copier was my tool for documenting collections of 3D objects. This project began as a visual exploration of aspects of self, expressed allegorically. However, over the years, my flatbed scanner has led me to revisit and translate older art genres such as botanical illustration, still life, object collections, trompe l'oeil, mosaics and digital compositing. The acquisition of my materials necessitated soliciting others to provide the means for my art. At first my neighborhood, friends and family gave and lent me things. However, the most remarkable aspect to this endeavor has always been in the generosity of strangers! Of course, now I consider former "strangers" to be current friends. This connection with the community and the perpetual beauty of nature has been what has sustained my motivation for scanning over the years.

Regarding outward recognition, I am delighted to report the good fortune of good press and wonderful exhibition opportunities. My solo show of 34 works has just ended at the gallery at Tower Hill Botanic Garden in Massachusetts, Here's an announcement of the show in a newspaper local to the event:
http://www.worcestermagazine.com/co...

I have committed to a solo exhibition at Weller Gallery at Fellows Riverside Gardens in Ohio for next summer. The gallery is comprised of two 80 ft long walls. Here's a glimpse at the exhibit space:
www.millcreekmetroparks.com/ParksFacilities/nbspnbspnbspnbspDavisVisitorCenter/WellerGallery/tabid/2007/Default.aspx

My Press website page also links to some past articles:
http://www.myneighborsgarden.com/pr...

This month, there is also an article in a Connecticut Home and Garden Magazine.
http://www.zwire.com/site/news.cfm?...
It does overstate my commercial success but also expresses my gratitude to those who make my photography possible.

And yes... I have always considered scanning to be Photography. That's why I have been reluctant to use the term Scanography, which was initially used to describe medical scanning using different, specialized equipment. True, at first it was hard gaining acceptance into some organizations for photographers called "Camera Clubs", but now that has all changed. I was invited to present my work at the New York Photographer's Salon in Manhattan, NYC. I can't convey the level of inspiration derived from those monthly meetings. Last spring, George Schaub, Editor of Shutterbug Magazine and juror of a Connecticut photo competition chose my entry for the First Place prize. That meant the world to me, in terms of validation of scanning as photographic process. Shutterbug Magazine is focused on technological developments in photography with a particular emphasis on camera design and functionality. Here's a link to the online version:
http://www.shutterbug.com/

Here's a quote from the photo show program:
On digital imagery: "Because digital photography seems easier it doesnʼt make it easier. It just makes it more accessible. Capturing an image is key. Manipulation is up for grabs. You have to make more decisions after you capture the image and in many cases the picture juststarts when you take the picture. You have to do your own manipulation, your own decision making. The scanned image (Best in Show) works because the process and the vision are perfectly melded. The ultimate expression of technology is in how thephotographer decides to manipulate the image. While technology has provided a much greater ability for photographers to express themselves, in the end the image is what counts and not how you got there."

If you'd like to read all of Mr. Schaub's statements, here's a link to a pdf of the show program:
http://www.carriagebarn.org/09photo...

Well Christian, I know that this response to your sad report may seem like just a lot of shameless self promotion but my intent is broader. I really do feel that the recognition for using the flatbed scanner as a camera has begun. In my case, the process offers an excuse to collaborate with gardeners, farmers, collectors, students and more. Scanning has given my work purpose and a sense of community. It's through that connection that I feel most enriched and encouraged as an artist. Validation for using the flatbed scanner as a camera will continue the more that practitioners visually communicate universal issues through their work as they strive to refine their craft, creating unique imagery with the power to resonate amidst the continuum of photographic processes.

The 3-pass scanners used by Jeff Mihalyo - luma

luma — Sun, 06 Sep 2009 04:25:37 +0200

maaaaravilhoso! amazing beautyfull!

sorry, i do not speak english, i will try... :)
the pictures realy impress me!
drive me to another vibration, i feel a good peace in the last, realy touch me
that is the "why" i am here writing this msg!

congratilations ^^

[ping] What scanner do you use ? - geld verleihen

geld verleihen — Sun, 03 May 2009 23:55:31 +0200

Das Verleihen von Geld ist eigentlich rechtlich gesehen kein

Das Kreditrisiko ist für Kreditinstitute im Allgemeinen die bedeutendste Risikoart...

A group of scannographers : redbubble - scantastic - Irit

Irit — Fri, 24 Apr 2009 20:06:46 +0200

Somewhat similar one is also www.imagekind.com

A group of scannographers : redbubble - scantastic - Jared

Jared — Mon, 13 Apr 2009 19:02:27 +0200

Thanks for the publicity :)

A group of scannographers : redbubble - scantastic - Marsha

Marsha — Mon, 13 Apr 2009 13:49:52 +0200

Hi Chris! Yes, I gave Jared the link. Some nice stuff coming in to RedBubble.

Liquid painting with a flatbed scanner : Jaime Ruas - chi

chi — Thu, 12 Mar 2009 06:48:10 +0100

that's a very interesting mothod. i will try it and i hope to see more of jaime's works. :D

Scanner lens driven by hand - alvazora

alvazora — Sat, 17 Jan 2009 17:03:27 +0100

Personally I think that it is interesting to scan polygrathy...It looks like a mistake in a routine daily program and it feels so fresh!

A common exibition ? - chris

chris — Wed, 17 Dec 2008 20:29:21 +0100

I will talk about this "faceyourpocket" site later, it seems very interesting. Thank you Chi

A common exibition ? - chi

chi — Wed, 17 Dec 2008 12:02:04 +0100

have you checked out the site http://faceyourpockets.com? it's an online project about people scanning the contents of their pcokets with their faces. :)

Patri Feher's new site : rich and interesting - Marty Klein

Marty Klein — Fri, 12 Dec 2008 01:22:43 +0100

Hi all,

(sorry for posting this as a comment., rather than as a new post.)
I'm new here, invited by Patri to join. I live/work in Easthampton, Massachusetts. Creating scanographic works for the past 2+ years. I'd be glad to post examples of my work here, but I can't figure out how to add images. Any help w/that would be welcomed. I included my portfolio site address here, so take a look.
Marty Klein

A common exibition ? - chris

chris — Thu, 04 Dec 2008 22:33:57 +0100

I hope this idea will make it's way… I will try to contact a big "photography" place here in the south-west of France. But, as Patri says, I don't know the influential people. But lets give it a try. Maybe Pierre Jarlan has his own entries in Paris. I thought we could make a double theme. The one launched by Pierre (empty pockets) + a botanical one or something more "free" to each artist.
If we could have a printer doing it for a good price or maybe some company being able to put some money in, that would surely help ! We can always dream, no ?!

A common exibition ? - Marsha

Marsha — Tue, 02 Dec 2008 13:34:19 +0100

Sounds interesting. I know someone in France that could possibly do the printing. I can't speak for him, but he has done several scanner photography shows in the past and might be up for helping with another one.

I'm less keen on the dump your pockets theme. Conceptually interesting, but I would not derail current projects to go in that direction.

A common exibition ? - patri

patri — Sat, 29 Nov 2008 17:31:27 +0100

Paris would be a great spot. I'd be interested in curating a show of scanography since I seem to be "collecting" the artists. However I have no influence or track record. The few galleries I've approached in the US NYC region, for a "collective" show seemed lukewarm to the idea. There is ONE traveling exhibit called "Scanner As Camera" in the US but the artists are all professors (understand why?). Several individual artists have had shows. There are a LOT of artists doing fabulous work but have never been exhibited. Scanographers are largely unknown- the most famous is Harold Feinstein and he mixes scanned work in with large format work- so viewers don't realize what they are looking at. And he won't admit he uses a scanner. Artistically this genre is not established and this ignorance has to be reversed. A major collective show would be a good start if we can find a venue or an individual to promote the idea -someone who grasps the importance of this medium and has influence in the proper circles. Personally I think a show of all botanical images would be appealing to the widest general audience, but scanography is not limited to only that subject matter. Scanned images of flowers just have it all over large format and conventional photographic techniques. So! Who knows the most influential people?!! I can write a "history" of the development of this medium.